Description
**THIERRY MAILLARD: “MOOG PROJECT”**
The prolific pianist, composer, and label director Thierry Maillard continues to astound us with his unparalleled creativity and boundless energy. His ability to produce multiple albums each year is nothing short of extraordinary, and he consistently surprises us with the sheer strength of his talent and the uniqueness of his projects. His latest endeavor, the exhilarating “Moog Project,” is certainly no exception. Following his serene and introspective solo acoustic piano album, “Une Larme de Pluie,” Thierry embarks on an exciting new journey characterized by rich electronic textures and vibrant energy. This project is a lively celebration of pop melodies infused with rock rhythm that invites listeners to dance!
The genesis of the “Moog Project” was Thierry’s desire to rekindle his relationship with the iconic vintage Moog synthesizer, available in various models such as the Modular, mini-Moog, Polymoog, Multimoog, and Prodigy. A gifted mini-Moog bestowed upon him by Pierre Papadiamantis during his professional debut in 1994 sparked a lasting fascination. Although the synthesizer was initially set aside, Thierry remained captivated by the mesmerizing sounds created by his musical heroes, including Chick Corea, Herbie Hancock, and Joe Zawinul.
Nearly three decades later, Thierry happily revisited not only the Moog synthesizer but also expanded his arsenal to encompass around twenty electronic instruments. Much like a painter with an array of colors, each Moog differs in specificity and application, allowing for endless creativity. This inspiration brings to mind the era of the late 1970s when Herbie Hancock collaborated with synthesizers for his landmark album “Sunlight” (1978).
This reference to the music of the late 70s is significant, as it reflects a time when loops, sequencers, or other digital effects were not commonly utilized. The performances were live and distinctly analog. Thierry was determined to capture this ethos of “live” performance, opting for an uncompromising approach that shuns re-recording and digital tools. This choice denotes a demanding and intricate process that affirms his commitment to the authentic stage experience, wherein jazz musicians frequently navigate without safety nets, taking creative risks.
The nostalgic echoes of the late 70s and early 80s resonate strongly with Thierry, painting a vivid picture of his youth when he discovered the album “Breakfast in America” by Supertramp. This masterpiece, purchased with hard-earned pocket money, left a lasting impression on the young musician, whose heart was captivated by its brilliant melodies. During this time, Supertramp primarily utilized Wurlitzer electric pianos, marking a significant influence on Thierry’s musical journey. As a tribute to the jazz-rock keyboardists of that era, such as Hancock, Corea, and Zawinul, Thierry creatively arranged several of Supertramp’s iconic songs, integrating synthesizers, acoustic piano, and authentic drums—eschewing the use of drum machines altogether. Notably, the absence of a bass player is cleverly compensated by Thierry’s effective use of bass synthesizers, delivered seamlessly as he navigates through his Moog setup.
Operating as an unconventional trio, Thierry is joined by his esteemed drummer, Yoann Schmidt, whose dazzling skills enrich most of Thierry’s projects. Seeking to emphasize electronic keyboards, Thierry also invited the talented pianist Amaury Faye from Toulouse, a Berklee School graduate known for his proficiency in swing and bebop, to contribute the invigorating sounds of an acoustic piano.
In this groundbreaking project, Thierry Maillard did not merely redraw the contours of beloved Supertramp songs such as “Breakfast in America,” “Dreamer,” and “Logical Song,” but rather reimagined them in thrilling arrangements tailored for his dynamic “electro-jazz-rock” trio devoid of lyrics. Furthermore, Thierry introduced four original compositions, including the iconic “Towards the Moon,” which pays homage to the Apollo spacecraft. In a collaborative spirit, he entrusted Yoann Schmidt with two compositions (“Kristelle” and “Le Bagne”), who also crafted an innovative arrangement of the jazz standard “All the Things You Are,” seamlessly integrating this project into the vibrant world of jazz.
Audiences fond of Supertramp are sure to embrace this innovative and ambitious tribute that celebrates their favorite band. Enthusiasts of English pop melodies, particularly those drawing inspiration from The Beatles, will find much to appreciate. Admirers of jazz-rock keyboard artistry will be enchanted by the melodic, harmonic, and rhythmic application of the Moogs, while jazz aficionados will revel in the interaction and spontaneity exhibited by the trio. Rock enthusiasts will undoubtedly be drawn to the palpable energy and dynamism that this talented power trio brings to the stage. Moreover, followers of electronic music will delight in the remarkable artistry displayed through live performances featuring these incredible machines.
In conclusion, Thierry Maillard’s “Moog Project” is not only a testament to his skill and innovative spirit but also a celebration of the timeless joy that music brings. This project invites listeners to explore the depths of creativity while enjoying an electrifying and heartfelt musical experience.
Thierry Maillard’s “Moog Project” is a crazy, singular, and unclassifiable album, while remaining consensual, because a wide range of different audiences can find themselves in it, reaching out to all generations, like most great musical works!
Featured Artists:
– Thierry Maillard: Keyboards and Xurlitzer
– Yoann Schmidt: Drums and Roland SPD Pad
– Amaury Faye: Piano, Fender Rhodes, and Keyboards
